IT’S CRUNCH TIME
Feels like I’m back in production!
Been pulling 14-hour days trying to finish RIDDICK. My typical day starts at 9am with intensive visual effects meetings, sweating out the details of our 900 VFX shots. Then I jet across town to the mix stage, Soundelux, where I supervise the sound, balancing out the often-competing elements of music, sound fx, sound design, and dialog. At night I hit the lab, Technicolor in Hollywood, staying until midnight to do “DI work” — color-correction of the movie. This is where David Eggby and I have one last chance to get the images right, dropping in grads and power windows to finesse what we shot on set. It’s a great tool, the Digital Intermediate. Kind of like Photoshop for movies. Gotta love it. Gotta love the challenge of bringing it all home.